We are preparing a reading of our current draft of "Enchanting Rupert" and I am very much looking forward to it. There are many things we would like to test and find out, there are many details to hone... but most importantly, we will continue our discussion about what it is that drives us to make this film, what it is that draws us to the story and characters of "Enchanting Rupert" - and how we can make that apparent to our audience.
In this article in the New York Times Maureen Dowd publishes an eMail dialogue that she has had with a writer-friend. They discuss why there are so many bad romantic comedies these days and so very few good ones.
"It happened one night" |
Maybe it lies within our age of corporate culture, brand identity and target groups that brings a particular exploitative quality to romantic film. Stories about love, romantic dreams and entangled human relation ships have always sold well... and whatever sells well can be refined, re-created and manufactured...
"Pretty Woman" |
"Breakfast at Tiffany's" |
Now, making these thoughts the guide lines of a production might sound like reaching for high ideals - which it exactly is. Well, call me an idealist then! But if these are not our guide lines then there is no point in making a film like "Enchanting Rupert". I cannot guarantee that we will succeed - as with every new production it is a new adventure - but we will certainly try our best and and I, for one, cannot wait to find out to see how far we can go.
Rainer